The Majolica Chicken
by Salvatore DIFALCO

The drunken man came home with his head separated, as it were, from his body. Wild-eyed and frothing at the mouth, the head shouted as it hovered above the kitchen table. The body, meanwhile, suited in black wool and vomit-soiled on the left shoulder, buckled and swayed around the kitchen. His right hand unbuttoned his jacket, pulling off several buttons in the process, which clicked to the floor and scattered across the tiles. His left hand reached for a serrated knife from the knife block and waved it around. His head shouted at the little wife, who was hugging a broom in the corner.
“What have you prepared for dinner!”
“Chicken,” said the wife, “and fish, as you requested.”
The head veritably spun around, spewing curses and spitting.
“Chicken and fish!” it cried. “Are you mad! Are you a madwoman? Who eats chicken and fish together? Not I. Not I. Not I!”
“But you said …”
“I said? I said!”
The head squeezed its eyes shut and belched and would likely have vomited had it still been attached to the body. The body, on its own mission, staggered about, bumping into the kitchen island and knocking over the wooden butter churn. Luckily the wife had emptied it earlier.
The head wanted to drink from the uncorked wine bottle on the table and even tried to hover close to it and fit its lips around the opening with no success.
“Help me!” it cried. “Help me with this! I need to drink!”
Still clutching the broom handle, the wife stepped out of the corner and walked over to the table. She grasped the bottle and lifted it to the hovering head. She tried to tip some wine into the gaping mouth, but the head did not hold steady and the wine spilled to the floor.
“Look what you’ve done!” cried the head. “You’re useless! You’re a useless woman!”
Long acclimated to such verbal abuse, the wife set the bottle back on the table. The chicken she had roasted and the fish she had poached grew cold on their plates. The head had scarcely glanced at the plates. All it could do was complain about her cooking the fish in addition to the chicken. But her husband had requested the two and had insisted on no vegetables or potatoes or rice.
The body slumped down against the pantry with one knee up and a forearm resting across it. A foul smell rose from it. The wife suspected it had soiled itself. This had happened on more than one occasion. And she had been forced to clean it up. Of course she did so without complaint, for she was a good wife, loved her husband, cared about him, and wanted the best for him. But she didn’t think she would do anything of the sort on this evening.
“What kind of chicken is this?” cried the hovering head.
She did not answer that question.
“The fish smells foul,” the head said. “It all smells foul. You’re terrible. You’re a terrible cook.”
The wife stepped closer to the head, still holding the broomstick.
“That chicken,” said the head, “that chicken looks like the majolica chicken your mother gave us for a wedding gift. Remember that hideous thing? It was terrible. Your mother’s terrible.”
The wife had all but forgotten about the majolica chicken, a red-and-brown object of exquisite beauty from Italy that her husband had destroyed with a dropkick one evening after a particularly excessive and violent drinking binge.
“Fix me something else,” the head demanded, hovering near her head. “Fix me some pasta. Yes, some pasta with sardines. I want pasta with sardines.”
“Okay,” said the wife, averting her face as her husband’s head smelled like maggoty casu marzu. “Some pasta with sardines.”
As the head hovered with lidded eyes, the little wife lifted the broomstick and pulled it back over her shoulder. Then she torqued her hips and swung the broomstick around at her husband’s head, walloping it out of the air with a dull thunk. It flew across the kitchen and struck the stovepipe before falling on the stovetop with its eyes shut. It made no further sound.
With her things already packed in her portmanteau, the little wife put on a smart blue jacket and some red high heels she had recently purchased in the village. Now she did something curious. She grabbed the fish she had poached for her husband, walked over to the head resting on the stovetop, and stuffed it into the mouth, headfirst.
“Enjoy,” she said.
Filed under Fiction on October 9th, 2026
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Green, the Green Cat
by Salvatore DIFALCO

This morning my eyes sit at the bottom of my face and my parched mouth gapes where my forehead should be. I slept in my best suit of clothes and now it is several shades of blue for some reason. I glance at my reflection in the kitchen window and I see a lot of green. I open the window and let the cool air caress my hot, cubist face. It is not green outside. It is dun and brown and dirty. So what is this green? My cat bumps my leg and purrs. I look down and she is also green this morning, with emerald eyes. Why is she green? I try to reach her head but my hand feels inflated. I look at it. Madonna mia. The green tinge concerns me as much as the swelling. The cat bumps me again. “Not now, amore. Not now. Papa is dying.”
Am I dying? Everyone is dying. Not everyone is dying this morning. I try to stand up but this causes my stomach contents to rise. I sit down again and take deep breaths. Should I hate my cousin Bruno for introducing me to and then deluging me with his terrible wine? He said he made it with his father, my Uncle Silvio, who knows from wine, but I suspect he crushed the grapes with his own foetid feet and fermented them in dirty barrels without his father’s supervision. I will never drink wine again. And I will hunt Bruno down when I am able and inflict a proper beating on him. A red bird of some variety lights on the windowsill. A drop of red in a barren landscape always pleases the eye. But on this occasion, the red sends me rushing to the jakes to empty myself of all my intestinal devils past, present, and to come.
When I emerge the green cat awaits and I stagger to the clay jar where I keep her vittles and grab some with my swollen hand. I drop the food on the floor and she growls as she wolfs it down. “Good girl,” I say. I have yet to name her. Maybe I will call her Green, the green cat. It makes perfect sense. She has been hanging around my abode for several weeks and I have been feeding her lamb jerky, which she seems to like. Perhaps I should endeavor to diversify her diet, but I know nothing of cats. I assume she dispatches the occasional rodent or lizard creeping about the house.
I drink a jug of water scarcely drawing a breath, but this drives me back to the jakes for more purging. Bruno will die, mark my words. That will constitute a parricide, or more properly speaking a patruelicide, the killing of a paternal cousin. Funny there is a word for that. Our fathers were brothers. Both dead from heart ailments. Bruno will not die of a heart ailment. He will die of poisoning or stabbing. Will I really kill my cousin? “Green,” I say, “should I kill my cousin, Bruno?” The cat looks at me with her slitted, murderous emerald eyes, seeming to suggest that death is only and ever the solution.
Filed under Fiction on September 25th, 2026
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Double Portrait with a Glass of Claret
by Salvatore DIFALCO

The Contessa cools herself with a pink silk fan as I climb her shoulders. I straddle her neck with my thighs in their green velvet leggings, and cover her right eye with my right hand while I raise a glass of ruby with my left and thus sinister hand and toast the purple phantasm mounting my shoulders, perhaps an incarnation of Bacchus generated by my psyche. I toast you, Bacchus! And I also toast Eros, who may be floating above Bacchus, shooting little arrows. Will this bring me misfortune? Will this bring me misfortune even if I am left-handed? The Contessa is tolerant in the extreme. Tickled pink by me, she permits all manner of license, within reason.
Wee, I can see the abandoned green castle from this lofty coign and the green lands surrounding it. The castle belonged to the Contessa’s great grandfather long before the family lost its fortune. One of my japes today is wearing a scarlet jacket that belongs to her father, Count Montedoro. Does it not look smart on me? Am I not spruce with it on? It makes me feel noble. That said, the Count will kill me before this day is done. More claret, my dear? Please quit shuffling your feet in their pearl-beaded shoes. Do not let me spill it on your grass-smeared, wedding-white dress. She wore this dress why? To gambol with me up and down the grassy hills and over the fields like two lunatics? Or to mock her father and their familial traditions, dictated by blood bonds and status? But we are not getting married. We are getting drunk!
Thus far she has polished off half the bottle. Of course I drank a bottle on my own before we set off on our journey. Question: How can she support me and Bacchus on her shoulders? I am not a small man. I am not a large man, but I am not a small one. And Bacchus is Bacchus, my grape-hued muse. Good question! You are doing well, Contessa. Wee! This makes me merry, this makes the Contessa merry. Her father would be horrified if he could see her now. And if he saw me in his jacket he would likely try to pierce me with the ornamental sword sheathed on his flank or shank me with the antique dirk he keeps in his sleeve. And I do not blame him. I do not blame your father, Contessa. No man of sound mind would sanction my union with his daughter or with any woman he knew. I am comfortable with this. But that does not mean I cannot play.
Wee, Contessa. I beg you not to stumble now, not to drop me without warning. I sense a subtle slackening. Your laughter has diminished, dear. Are you not enjoying yourself? Shall I jump down and perform a few acrobatics for your amusement? Bacchus squeezes my head with his thighs. What is he trying to tell me? That I should jump down and do what is right? Or that he does not feel well and shortly will evacuate his contents? Contessa, Contessa, what shall we do? Shall I jump down? Or shall we run to the green castle with me on your shoulders and Bacchus on mine? I think you can do it. I believe you can make it all the way.
She starts to move slowly. I stretch out my arms for balance. But she does not proceed in the direction of the castle. Instead she lopes to the river. Why are you headed toward the river, love? She does not walk in a straight line, she weaves. She picks up speed even as she weaves. We are moving at a smartish pace now. I feel the wind in my face. Bacchus hangs on to my hair. The Contessa is full of surprises. I feel elated. I feel elated even as she runs headlong toward the riverbank. I feel us tipping, tipping forward. Bacchus hangs on to my ears. A moment of peril seems imminent. And yet I am joyful. Very little is needed to be happy, really. It is all within yourself and in your way of drinking.
Filed under Fiction on September 11th, 2026
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