Johnny America

 


JOHNNY AMERICA

Is a little ’zine of fiction, humor, and other miscellany, published by the Moon Rabbit Drinking Club & Benevolence Society since 2003.

Photograph the Book of MisunderstandingsPhotograph of the Book of Misunderstandings

Our latest production is The Book of Misunderstandings, a steal at ten bucks from our online shop. It’s a tight collection of short stories by Robert Wexelblatt about the consequences of getting things wrong.

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Photograph of The Book of MisunderstandingsPhotograph of The Book of Misundersatndings

Johnny America has been bringing you fresh fiction and humor since 2003.

Our latest production is The Book of Misunderstandings. It’s a tight collection of short stories by Robert Wexelblatt about the consequences of getting things wrong.

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Dou­ble Por­trait with a Glass of Claret

by

Illustration of an abandoned castle on a hill.

The Con­tes­sa cools her­self with a pink silk fan as I climb her shoul­ders. I strad­dle her neck with my thighs in their green vel­vet leg­gings, and cov­er her right eye with my right hand while I raise a glass of ru­by with my left and thus sin­is­ter hand and toast the pur­ple phan­tasm mount­ing my shoul­ders, per­haps an in­car­na­tion of Bac­chus gen­er­at­ed by my psy­che. I toast you, Bac­chus! And I al­so toast Eros, who may be float­ing above Bac­chus, shoot­ing lit­tle ar­rows. Will this bring me mis­for­tune? Will this bring me mis­for­tune even if I am left-hand­ed? The Con­tes­sa is tol­er­ant in the ex­treme. Tick­led pink by me, she per­mits all man­ner of li­cense, with­in reason.

Wee, I can see the aban­doned green cas­tle from this lofty coign and the green lands sur­round­ing it. The cas­tle be­longed to the Contessa’s great grand­fa­ther long be­fore the fam­i­ly lost its for­tune. One of my japes to­day is wear­ing a scar­let jack­et that be­longs to her fa­ther, Count Monte­doro. Does it not look smart on me? Am I not spruce with it on? It makes me feel no­ble. That said, the Count will kill me be­fore this day is done. More claret, my dear? Please quit shuf­fling your feet in their pearl-bead­ed shoes. Do not let me spill it on your grass-smeared, wed­ding-white dress. She wore this dress why? To gam­bol with me up and down the grassy hills and over the fields like two lu­natics? Or to mock her fa­ther and their fa­mil­ial tra­di­tions, dic­tat­ed by blood bonds and sta­tus? But we are not get­ting mar­ried. We are get­ting drunk!

Thus far she has pol­ished off half the bot­tle. Of course I drank a bot­tle on my own be­fore we set off on our jour­ney. Ques­tion: How can she sup­port me and Bac­chus on her shoul­ders? I am not a small man. I am not a large man, but I am not a small one. And Bac­chus is Bac­chus, my grape-hued muse. Good ques­tion! You are do­ing well, Con­tes­sa. Wee! This makes me mer­ry, this makes the Con­tes­sa mer­ry. Her fa­ther would be hor­ri­fied if he could see her now. And if he saw me in his jack­et he would like­ly try to pierce me with the or­na­men­tal sword sheathed on his flank or shank me with the an­tique dirk he keeps in his sleeve. And I do not blame him. I do not blame your fa­ther, Con­tes­sa. No man of sound mind would sanc­tion my union with his daugh­ter or with any woman he knew. I am com­fort­able with this. But that does not mean I can­not play.

Wee, Con­tes­sa. I beg you not to stum­ble now, not to drop me with­out warn­ing. I sense a sub­tle slack­en­ing. Your laugh­ter has di­min­ished, dear. Are you not en­joy­ing your­self? Shall I jump down and per­form a few ac­ro­bat­ics for your amuse­ment? Bac­chus squeezes my head with his thighs. What is he try­ing to tell me? That I should jump down and do what is right? Or that he does not feel well and short­ly will evac­u­ate his con­tents? Con­tes­sa, Con­tes­sa, what shall we do? Shall I jump down? Or shall we run to the green cas­tle with me on your shoul­ders and Bac­chus on mine? I think you can do it. I be­lieve you can make it all the way.

She starts to move slow­ly. I stretch out my arms for bal­ance. But she does not pro­ceed in the di­rec­tion of the cas­tle. In­stead she lopes to the riv­er. Why are you head­ed to­ward the riv­er, love? She does not walk in a straight line, she weaves. She picks up speed even as she weaves. We are mov­ing at a smar­tish pace now. I feel the wind in my face. Bac­chus hangs on to my hair. The Con­tes­sa is full of sur­pris­es. I feel elat­ed. I feel elat­ed even as she runs head­long to­ward the river­bank. I feel us tip­ping, tip­ping for­ward. Bac­chus hangs on to my ears. A mo­ment of per­il seems im­mi­nent. And yet I am joy­ful. Very lit­tle is need­ed to be hap­py, re­al­ly. It is all with­in your­self and in your way of drinking.

Filed under Fiction on September 11th, 2026

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Short In­ter­view with a La­con­ic Author

by

Illustration of a hand writing upside-down with a fountain pen

In­ter­view­er: Thank you for agree­ing to this. I know you give few interviews.

Au­thor: Sel­dom asked to.

In­ter­view­er: Let’s get right in­to it, then. Your work has been var­i­ous­ly de­scribed as ob­scure and dif­fi­cult, al­so su­per­fi­cial, am­a­teur­ish, dilet­tan­tish, con­sol­ing, in­spired, pro­found, provoca­tive, hu­mor­less, and wit­ty. How would you de­scribe your work?

Au­thor: Wide­ly ignored.

In­ter­view­er: That’s it? Two words?

Au­thor: Yes. That’s one word.

In­ter­view­er: I see this is go­ing to be a chal­lenge. Very well. Your work has been called both mod­ern and post-mod­ern. How do you clas­si­fy what you write? 

Au­thor: Con­tem­po­rary Amer­i­can literature.

In­ter­view­er: Very amus­ing. So, what do you most en­joy writ­ing on?

Au­thor: An old door held up by a cou­ple of fil­ing cabinets.

In­ter­view­er: I meant com­put­er or ball point, lined pa­per or plain, pen­cil and le­gal pad.

Au­thor: Foun­tain pen. 

In­ter­view­er: Re­al­ly?

Au­thor: My chief link with tradition. 

In­ter­view­er: Okay. This re­al­ly is go­ing to be dif­fi­cult.… Your on­ly nov­el won a prize. Why hasn’t there been a second?

Au­thor: Maybe there is.

In­ter­view­er: Oh? Un­fin­ished or unpublished?

Au­thor: Un­writ­ten.

In­ter­view­er: I was warned you’re dif­fi­cult. Okay, let me check my notes.… It says here that you’ve al­so won a teach­ing prize? Yes? What would you say is the most im­por­tant qual­i­ty in a teacher?

Au­thor: Re­mem­ber­ing.

In­ter­view­er: Re­mem­ber­ing? Re­mem­ber­ing what? Stu­dents’ names? Lec­ture notes?

Au­thor: That to teach is a tran­si­tive verb.

In­ter­view­er: You teach and you write. Do you do the one to sup­port the other?

Au­thor: I need both.

In­ter­view­er: How so?

Au­thor: Writing’s lone­some; teaching’s an ide­al form of so­cial life.

In­ter­view­er: So­cial life?

Au­thor: Sopho­mores don’t age; they’re al­ways nine­teen. And they have to listen.

In­ter­view­er: So, you like young people?

Au­thor: I’m com­fort­able with them.

In­ter­view­er: With post-adolescents?

Au­thorI’m post-adolescent. 

In­ter­view­er: I was told— and it cer­tain­ly seems true — you’re giv­en to false modesty.

Au­thor: That’s a con­di­tion to which I aspire.

In­ter­view­er: Clever and eva­sive, con­firm­ing what you de­ny. Well then, have you got any ad­vice for as­pir­ing young writers?

Au­thor: I do.

In­ter­view­er: And that is?

Au­thor: Keep your bum on the desk chair.

In­ter­view­er: Okay. I’m go­ing to give up. Just one more ques­tion be­fore I do. You’re prolific.

Au­thor: Pro­lif­ic? For me, writ­ing is most­ly not writing. 

In­ter­view­er: Yet you keep writ­ing. Is that be­cause you love it?

Au­thor: There’s noth­ing I love more than writ­ing — and noth­ing I won’t do to avoid it.

In­ter­view­er: For example?

Au­thor: This interview.

Filed under Fiction on August 14th, 2026

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Big Mouth Bil­ly Bass

by

Illustration of a big mouthed bass chasing a loaf of sourdough.

Nathan stared at the half-eat­en cake on the kitchen ta­ble. He was down four pounds from last month. But should he eat the whole cake? De­spite his stom­ach hang­ing slight­ly over his shorts, Nathan thought he looked okay. That would change af­ter the cake. I’ll go to the gym lat­er. Burn it all off. Hav­ing set­tled on a plan, he ate more cake. 

Nathan’s dri­ve­way was made of tiny peb­bles. He heard a crunch­ing sound as tires rolled over the stones. He froze. There was still ic­ing left. He closed the cake box, stuck it in the fridge.

The front door flew open. In stepped his big sis­ter, Beth. She set a white buck­et filled with dirty wa­ter on the tile floor. By the tail, Beth pulled out a big­mouth bass. She said, “I’ve had it with this thing.” 

“Pleased to meet you,” the bass said. “My name is Billy.” 

Beth dropped the fish back in the wa­ter. “I’m cast­ing in the pond ear­li­er when Bil­ly here sur­faces, says we need to talk.”

Bil­ly hung over the rim of the buck­et. “A woman went in your sister’s house every night this week af­ter she left for work.” 

“That’s our lawyer. With what we’re pay­ing, she should be mak­ing house calls.”

“I’ve lived in your neigh­bor­hood pond five years now. The on­ly oth­er time I’ve seen this was the Carltons.” 

“Da­mon wouldn’t do that.” 

Nathan asked, “Who’s your lawyer?” 

Beth hes­i­tat­ed. “Gab­bie York.” 

Nathan said, “Come on.” 

“So what if they have a past? That was col­lege. An­cient his­to­ry. The fish is ly­ing. Da­mon said Gab­bie was on­ly over Mon­day night. I checked the cam­eras. Her car pulled in the dri­ve­way, and she was gone thir­ty min­utes later.” 

Bil­ly said, “The lawyer parked down the street the rest of the week. She en­tered through the back, through the pool’s screen door.” 

“Lies.” 

“Why would Bil­ly lie?” Nathan asked. “Be realistic.” 

Beth balled her fists. Look­ing around the kitchen, she saw a plate of cook­ies on the counter. “You’re eat­ing cook­ies for breakfast?”

Nathan felt his face turn red. “That’s not my nor­mal break­fast. I was hun­gry is all.” 

“Poor Nathan. Keep telling your­self that.” Then to Bil­ly, Beth said, “My hus­band isn’t a cheater. You’re a liar. I’m turn­ing you in­to a sandwich.” 

Bil­ly ig­nored the threat. He was con­cerned with Nathan. “I used to have an eat­ing prob­lem. There was this house, the John­sons, and they fed the fish piz­za. I was pow­er­less. If there was piz­za in the wa­ter, I was eating.” 

Nathan was em­bar­rassed by Billy’s con­cern. Prob­lem? There’s no prob­lem. Every­body eats. So what if I eat more than oth­ers? Food makes life bet­ter. He grabbed a cook­ie. Tak­ing a bite, he said, “Speak for your­self. I’m fine.” Nathan took an­oth­er bite, but this one tast­ed strange. He chewed slow­er, his mouth now dry.

Beth said, “I’ve heard enough. I’m fry­ing Bil­ly in peanut oil.” She picked up the buck­et and made for the door. 

Some­thing didn’t feel right to Nathan. He fol­lowed Beth out in­to the morn­ing light. “You can’t kill Bil­ly. He’s just a stu­pid bass. Move him to an­oth­er pond.” 

Beth paused. She lift­ed the buck­et in­to her truck bed. “Fine.”

“North Street pond is a good —” 

“I know how to move a fish!” 

“Okay. I’ll call you tomorrow.”

Beth looked ex­haust­ed. “What­ev­er.” 

Nathan went back in the house. He sat at the kitchen ta­ble, eat­ing cook­ies while go­ing over what hap­pened. He couldn’t get it out of his head. He went to the fridge and grabbed the cake box. His fork hov­ered over the ic­ing. He fin­ished the job. Look­ing in the mir­ror, Nathan felt shame. He drove to the gym. 

Nathan cast his line to the cen­ter of the pond. He reeled slow­ly, the wind whip­ping his gym shorts. The idea that Bil­ly wasn’t here filled him with dread. He need­ed to speak with the fish. It had been a month since he last ate a cook­ie or cake or any­thing with sug­ar. His body felt great, but men­tal­ly he was slip­ping. Be­tween the hol­i­days and his birth­day, Nathan’s crav­ings were es­ca­lat­ing. He hoped Bil­ly could help. 

A cir­cle of hous­es sur­round­ed the pond, and be­hind the pink one was a small dock. Nathan cast his line by the dock, jig­ging the bait slight­ly. He felt a large thump. His pole bent. He reeled. The fish jumped from the wa­ter — a gi­ant big­mouth bass — and splashed back in­to the pond. He was amazed, first at the fish, then at his line. The tug­ging dis­ap­peared. Nathan reeled with no re­sis­tance, but as he reeled, a small wake made its way to shore. 

“Bud­dy,” Bil­ly said. “Get this hook out of my mouth.”

Nathan held Bil­ly by the tail, the fish’s new weight strain­ing his wrist. “Bil­ly, is every­thing okay?” he asked, toss­ing the bass back in the pond. 

Bil­ly poked his head out of the wa­ter. “Things are bet­ter than okay. The peo­ple in the pink house, they throw out sour­dough bread every af­ter­noon. Have you tried sour­dough? It’s mak­ing me blow up like a whale, but I don’t care.” 

“Re­al­ly?” 

“Yeah, I’ve got it made. Be­sides hav­ing the best bread, this pond is stocked with the coolest fish. Have you ever met a trout? They’re hi­lar­i­ous. Why do you look up­set? Did some­thing happen?” 

Nathan re­gret­ted vis­it­ing the pond. He worked so hard to cre­ate this new healthy lifestyle for him­self, all to re­al­ize it was a house of cards. “I just came to check on you. I was worried.” 

“Like I told your sis­ter, I’m do­ing amazing.” 

“You saw Beth?”

“She vis­it­ed ear­li­er this week to tell me about the di­vorce. Good for her. She al­so told me about your di­et. You look great.”

“Thanks.”

“It seems like we’re all do­ing well.” 

“Are we? Bil­ly — do you know what hap­pens to fish your size? They stuff them and hang them on walls.” 

“What! Why?” 

“As tro­phies.”  

“Bar­bar­ic. Well, as scary as that sounds, don’t wor­ry. My days in this pond are num­bered. I met a la­dy fish. I know, I know. A play­er like me set­tling down. But it’s time. She’s from the pond across the high­way, so we’re mov­ing soon. I’ll lose all this weight once my sour­dough sup­ply is cut off.” 

“The pond across the high­way is be­hind a bak­ery. That’s where sour­dough comes from.” 

“Oh, re­al­ly? I had no idea.” 

“That pond is al­so a no­to­ri­ous fish­ing spot.” 

Bil­ly didn’t hear Nathan. An­oth­er fish popped its head out of the wa­ter. Bil­ly said, “This sexy scaly thing is my girl­friend, Talia.” 

Talia said, “It’s al­most time, Big Dad­dy. We bet­ter not miss the sourdough.”

“We won’t. I’ll be by the dock in a minute. Get that sweet tail over there and hold our place next to the red buoy.” 

Af­ter Talia swam away, Nathan said, “She seems… fun.”

“She’s the best. Don’t wor­ry about me, al­right? So I’m en­joy­ing the most de­li­cious bread of all time a lit­tle too much. It’s fine. I have every­thing un­der control.” 

“If you say so.” 

“Will you bring sour­dough to our pond-warm­ing par­ty next week?” 

“But you just said you were done af­ter the move?” 

“I meant af­ter the par­ty. Af­ter the par­ty, no more big Billy.” 

“Sure.” Nathan nod­ded. “I’ll see you then. Take care of your­self, Billy.” 

Nathan grabbed his pole and tack­le­box. Mov­ing through the tall grass on the way back to his truck, he tried to shake an odd feel­ing. He knew Beth’s biggest catch was mount­ed on her of­fice wall, and Bil­ly was a lit­tle big­ger than that. 

He sat in his truck. He didn’t start the en­gine. He picked at dirt un­der his fin­ger­nails, think­ing about his big sister’s di­vorce. She mar­ried a stranger. That was Beth’s re­al­i­ty. What was Nathan’s reality? 

It was a bright day. Nathan looked through the wind­shield of his truck. There was a donut shop across the street. He thought about Beth. About Bil­ly and the sour­dough. Nathan want­ed to feel good. He threw the truck in gear. He sped past the donut shop on his way to the gym. 

Filed under Fiction on July 31st, 2026

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