Johnny America

 


JOHNNY AMERICA

Is a little ’zine of fiction, humor, and other miscellany, published by the Moon Rabbit Drinking Club & Benevolence Society since 2003.

Photograph the Book of MisunderstandingsPhotograph of the Book of Misunderstandings

Our latest production is The Book of Misunderstandings, a steal at ten bucks from our online shop. It’s a tight collection of short stories by Robert Wexelblatt about the consequences of getting things wrong.

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Photograph of The Book of MisunderstandingsPhotograph of The Book of Misundersatndings

Johnny America has been bringing you fresh fiction and humor since 2003.

Our latest production is The Book of Misunderstandings. It’s a tight collection of short stories by Robert Wexelblatt about the consequences of getting things wrong.

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Ru­mors

by

Illustration of a residential garage and a line of boulders.

Christopou­los puts a rock the size of a Ger­man Mastiff’s head in my garbage can.

His knees buck­ling, first he cross­es the street with the rock, holds it in both arms as though it’s a ba­by. As though he’s rock­ing a ba­by. Sec­ond, he puts the ba­by down on my driveway.

He wrench­es my stuffed Glad 30-gal­lon out of my can, drops it next to the can, and bends to pick up the rock, his back all knots but his bi­ceps im­pres­sive for an old mad Her­a­cles. He heaves and dumps the rock that thuds in the metal.

Fi­nal­ly, he lifts the bag again (piece of cake com­pared to the ba­by) and plops it back in­to the can, as best it fits.

Well, now that the rock is in there, the can doesn’t dare shake, and I think the trash looks less fit to bust than it did be­fore and a tad slouched like it’s been through some­thing — a comeuppance.

Can’t say it’s easy for Christopou­los, what with break­ing his back and the law like that. And with me sit­ting right here watch­ing. It’s a warm evening.

On the oth­er hand, Mrs. Christopou­los brings me Greek beef soup in January.

She in­sists on com­ing in to in­ven­to­ry what I don’t have in my fridge: or­anges, lemons, toma­toes, canned fish. For these she sends to the gro­cer her grand­son cop who twice a week checks on Christopou­los and Mrs. Christopoulos.

Well, the grand­son cop and his part­ner on their route, each and every time, dou­ble park the cruis­er, and they saunter up to Christopoulos’s house. The part­ner stays back a few feet and looks up and down the qui­et street as though see­ing if the coast is clear while the grand­son (swing­ing a plas­tic bag of tan­ger­ines) knocks loud­ly on the door or on the front room win­dow that rat­tles, scar­ing away the pi­geons roost­ing on the sec­ond-floor sills. Christopou­los comes to the door wear­ing brown pleat­ed wool pants and a sleeve­less un­der­shirt. He grins but shakes his head and some­times his fist and ges­tures to the part­ner to come clos­er and not be an id­iot stand­ing so far from the door. The part­ner, like a kid, kicks at noth­ing on the side­walk and shy­ly shuf­fles up to Christopou­los who smacks the backs of the heads of both men and tells them to “Al­ways mind the bullshitters.”

The three ex­change pleas­antries and nods and, af­ter a while, the cops dri­ve away.

Ex­cept be­fore they dri­ve away the grand­son cop cross­es the street (swing­ing a plas­tic bag of limes) and gin­ger­ly places some­thing on my wel­come mat (some­times a dozen-pack of 12-ounce cans of Ky­knos brand toma­to sauce, like a trib­ute). He cross­es back to his squad car shad­ed un­der elm and to his part­ner slouch­ing shotgun.

Then the cops, in fact, dri­ve away and Christopou­los glares at where I am, as usu­al, sit­ting on my stoop, un­less I’m up­stairs ob­serv­ing from my bedroom.

In our neigh­bor­hood there’s a ru­mor about Christopou­los that, back-when, he was an elite dec­o­rat­ed of­fi­cer who ei­ther killed or saved some­one; did time and broke out of prison; runs a mob or lives un­der wit­ness pro­tec­tion. They say his re­al name is Se­feris. There are ru­mors about me too, but I’m not privy to the con­tent of those.

When Christopou­los goes in­side to watch his Chan­nel 7 Eye­wit­ness News at 5:00, I tip my can over, roll out the rock, roll it in­to the back of my garage and line it up next to the oth­ers. I fig­ure Christopou­los and I, com­bined, are do­ing the work of Sisyphus.

Mrs. Christopou­los, bring­ing my cat left­over cod frit­ters, thanks me for not say­ing any­thing about the rocks.

“It’s re­al Chris­t­ian of you,” she says.

“I don’t know about that,” I say.

When I have ten lined up like pris­on­ers wait­ing silent­ly for ex­e­cu­tion in back of my garage, I load and dri­ve them in my sag­ging Mi­ni to Boul­ders Amer­i­ca who buy them back by the pound, “gen­tly used.” Not re­tail prices such as Christopou­los pays.

It sure is some­thing get­ting my sar­dines in brine de­liv­ered by a cop.

Filed under Fiction on November 6th, 2026

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The Ma­joli­ca Chicken

by

Illustration of a disembodied head floating over a table, with chicken and wine wine and fish strewn about

The drunk­en man came home with his head sep­a­rat­ed, as it were, from his body. Wild-eyed and froth­ing at the mouth, the head shout­ed as it hov­ered above the kitchen ta­ble. The body, mean­while, suit­ed in black wool and vom­it-soiled on the left shoul­der, buck­led and swayed around the kitchen. His right hand un­but­toned his jack­et, pulling off sev­er­al but­tons in the process, which clicked to the floor and scat­tered across the tiles. His left hand reached for a ser­rat­ed knife from the knife block and waved it around. His head shout­ed at the lit­tle wife, who was hug­ging a broom in the corner.

“What have you pre­pared for dinner!”

“Chick­en,” said the wife, “and fish, as you requested.”

The head ver­i­ta­bly spun around, spew­ing curs­es and spitting.

“Chick­en and fish!” it cried. “Are you mad! Are you a mad­woman? Who eats chick­en and fish to­geth­er? Not I. Not I. Not I!”

“But you said …”

“I said? I said!”

The head squeezed its eyes shut and belched and would like­ly have vom­it­ed had it still been at­tached to the body. The body, on its own mis­sion, stag­gered about, bump­ing in­to the kitchen is­land and knock­ing over the wood­en but­ter churn. Luck­i­ly the wife had emp­tied it earlier.

The head want­ed to drink from the un­corked wine bot­tle on the ta­ble and even tried to hov­er close to it and fit its lips around the open­ing with no success.

“Help me!” it cried. “Help me with this! I need to drink!”

Still clutch­ing the broom han­dle, the wife stepped out of the cor­ner and walked over to the ta­ble. She grasped the bot­tle and lift­ed it to the hov­er­ing head. She tried to tip some wine in­to the gap­ing mouth, but the head did not hold steady and the wine spilled to the floor.

“Look what you’ve done!” cried the head. “You’re use­less! You’re a use­less woman!”

Long ac­cli­mat­ed to such ver­bal abuse, the wife set the bot­tle back on the ta­ble. The chick­en she had roast­ed and the fish she had poached grew cold on their plates. The head had scarce­ly glanced at the plates. All it could do was com­plain about her cook­ing the fish in ad­di­tion to the chick­en. But her hus­band had re­quest­ed the two and had in­sist­ed on no veg­eta­bles or pota­toes or rice.

The body slumped down against the pantry with one knee up and a fore­arm rest­ing across it. A foul smell rose from it. The wife sus­pect­ed it had soiled it­self. This had hap­pened on more than one oc­ca­sion. And she had been forced to clean it up. Of course she did so with­out com­plaint, for she was a good wife, loved her hus­band, cared about him, and want­ed the best for him. But she did­n’t think she would do any­thing of the sort on this evening.

“What kind of chick­en is this?” cried the hov­er­ing head.

She did not an­swer that question.

“The fish smells foul,” the head said. “It all smells foul. You’re ter­ri­ble. You’re a ter­ri­ble cook.”

The wife stepped clos­er to the head, still hold­ing the broomstick.

“That chick­en,” said the head, “that chick­en looks like the ma­joli­ca chick­en your moth­er gave us for a wed­ding gift. Re­mem­ber that hideous thing? It was ter­ri­ble. Your moth­er’s terrible.”

The wife had all but for­got­ten about the ma­joli­ca chick­en, a red-and-brown ob­ject of ex­quis­ite beau­ty from Italy that her hus­band had de­stroyed with a drop­kick one evening af­ter a par­tic­u­lar­ly ex­ces­sive and vi­o­lent drink­ing binge.

“Fix me some­thing else,” the head de­mand­ed, hov­er­ing near her head. “Fix me some pas­ta. Yes, some pas­ta with sar­dines. I want pas­ta with sardines.”

“Okay,” said the wife, avert­ing her face as her hus­band’s head smelled like mag­goty ca­su marzu. “Some pas­ta with sardines.”

As the head hov­ered with lid­ded eyes, the lit­tle wife lift­ed the broom­stick and pulled it back over her shoul­der. Then she torqued her hips and swung the broom­stick around at her hus­band’s head, wal­lop­ing it out of the air with a dull thunk. It flew across the kitchen and struck the stovepipe be­fore falling on the stove­top with its eyes shut. It made no fur­ther sound.

With her things al­ready packed in her port­man­teau, the lit­tle wife put on a smart blue jack­et and some red high heels she had re­cent­ly pur­chased in the vil­lage. Now she did some­thing cu­ri­ous. She grabbed the fish she had poached for her hus­band, walked over to the head rest­ing on the stove­top, and stuffed it in­to the mouth, headfirst.

“En­joy,” she said.

Filed under Fiction on October 9th, 2026

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Green, the Green Cat

by

Illustration of two feet stomping on grapes

This morn­ing my eyes sit at the bot­tom of my face and my parched mouth gapes where my fore­head should be. I slept in my best suit of clothes and now it is sev­er­al shades of blue for some rea­son. I glance at my re­flec­tion in the kitchen win­dow and I see a lot of green. I open the win­dow and let the cool air ca­ress my hot, cu­bist face. It is not green out­side. It is dun and brown and dirty. So what is this green? My cat bumps my leg and purrs. I look down and she is al­so green this morn­ing, with emer­ald eyes. Why is she green? I try to reach her head but my hand feels in­flat­ed. I look at it. Madon­na mia. The green tinge con­cerns me as much as the swelling. The cat bumps me again. “Not now, amore. Not now. Pa­pa is dying.”

Am I dy­ing? Every­one is dy­ing. Not every­one is dy­ing this morn­ing. I try to stand up but this caus­es my stom­ach con­tents to rise. I sit down again and take deep breaths. Should I hate my cousin Bruno for in­tro­duc­ing me to and then del­ug­ing me with his ter­ri­ble wine? He said he made it with his fa­ther, my Un­cle Sil­vio, who knows from wine, but I sus­pect he crushed the grapes with his own foetid feet and fer­ment­ed them in dirty bar­rels with­out his fa­ther’s su­per­vi­sion. I will nev­er drink wine again. And I will hunt Bruno down when I am able and in­flict a prop­er beat­ing on him. A red bird of some va­ri­ety lights on the win­dowsill. A drop of red in a bar­ren land­scape al­ways pleas­es the eye. But on this oc­ca­sion, the red sends me rush­ing to the jakes to emp­ty my­self of all my in­testi­nal dev­ils past, present, and to come.

When I emerge the green cat awaits and I stag­ger to the clay jar where I keep her vit­tles and grab some with my swollen hand. I drop the food on the floor and she growls as she wolfs it down. “Good girl,” I say. I have yet to name her. Maybe I will call her Green, the green cat. It makes per­fect sense. She has been hang­ing around my abode for sev­er­al weeks and I have been feed­ing her lamb jerky, which she seems to like. Per­haps I should en­deav­or to di­ver­si­fy her di­et, but I know noth­ing of cats. I as­sume she dis­patch­es the oc­ca­sion­al ro­dent or lizard creep­ing about the house.

I drink a jug of wa­ter scarce­ly draw­ing a breath, but this dri­ves me back to the jakes for more purg­ing. Bruno will die, mark my words. That will con­sti­tute a par­ri­cide, or more prop­er­ly speak­ing a pa­tru­eli­cide, the killing of a pa­ter­nal cousin. Fun­ny there is a word for that. Our fa­thers were broth­ers. Both dead from heart ail­ments. Bruno will not die of a heart ail­ment. He will die of poi­son­ing or stab­bing. Will I re­al­ly kill my cousin? “Green,” I say, “should I kill my cousin, Bruno?” The cat looks at me with her slit­ted, mur­der­ous emer­ald eyes, seem­ing to sug­gest that death is on­ly and ever the solution.

Filed under Fiction on September 25th, 2026

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