Johnny America

The Watch­ing

by

Illustration of an empty residential pool with ominous darkness

How Oliv­er got in­to the back yard was im­pos­si­ble to know be­cause the se­cu­ri­ty camera’s an­gle didn’t show the slid­ing glass door or its small plas­tic latch that Elodie made a point to nev­er leave un­locked. Just a grainy and high­ly sat­u­rat­ed view of the side of the house where the kitchen win­dow was and the stone walk­way cut the dense ground cov­er, the bare and skele­tal branch­es of a fig tree, and the pool, kid­ney-bean shaped and cov­ered by a car­di­nal blue tarp. The video start­ed just there. Elodie was watch­ing it se­cret­ly in a dark room on­ly lat­er, af­ter she told her hus­band that she wouldn’t. She hit play with her hand over her mouth and her heart beat­ing sick in all the wrong places— ears, throat, stom­ach. At first noth­ing moved, and the on­ly way Elodie even knew time was pass­ing in the video was by watch­ing the time stamp’s sec­onds roll from 3:42p to­ward 3:43p. 

It held like this, the sound of wind in the back­yard com­ing in faint and tin­ny through Elodie’s computer’s per­fo­rat­ed speak­ers, her breath held even though she didn’t know it. Then Oliv­er came around in­to the frame from some­where un­known in his di­a­per and lit­tle yel­low shirt, bow­legged with the rigid sway of a two-year-old learn­ing to use their own legs. He walked slow­ly, point­ing at some­thing in the flower bed that was most­ly just dirt, then paused to crouch down and ex­am­ine and touch the ground with un­prac­ticed hands and fin­ger­nails so small they didn’t seem re­al. Elodie’s eyes burned and she bit her lip too hard. She reached slow­ly out to touch the screen where the im­age of her child held low at 3:45p, wish­ing she could some­how reach in­to the com­put­er and pull the boy in­to her emp­ty arms or stop him from get­ting up, which he did any­way, al­most los­ing his bal­ance as his bare feet moved over the un­even ground, and walked to the round­ed con­crete lip of the pool, look­ing off in­to space the cam­era couldn’t see.

Every­thing in Elodie’s whole body pound­ed with adren­a­line, skin hum­ming and flush with a tin­gling that over­came her hands and face, sense­less to the wast­ed words of in­ter­ces­sion that silent­ly filled her mouth. On­ly to wors­en when the ba­by boy took his first tiny step on­to the tarp, and Elodie re­al­ized she could see her­self there at the kitchen sink, un­know­ing be­hind the window’s screen that made her ap­pear but a shad­ow. Then one lit­tle step and then an­oth­er, and Oliv­er was all the way out on the pool’s bright blue sur­face stand­ing still and float­ing there, his weight hard­ly enough to low­er the tarp at all, as he looked off, still and re­laxed and un­con­cerned, watch­ing in­tent­ly what Elodie tried to imag­ine but would nev­er know, above the wa­ter like a saint. 

This for the longest two and a half min­utes of Elodie’s en­tire life, and that in­clud­ed the time one of her pa­tients, a girl of six, had a seizure and thrashed and foamed and beat her pig-tailed head against the ex­am ta­ble while her fa­ther yelled at Elodie to be her doc­tor and help her for Chris­sakes even af­ter she had al­ready turned the child on her side which was all she could do. His yelling was loud and des­per­ate and full of a pain she had hoped to nev­er know, and even though the girl was fine, it had al­ways held as the worst day in her en­tire pe­di­atric ca­reer. Now her own Oliv­er and af­ter all the chil­dren she had made bet­ter there was noth­ing she could do but watch. That same des­per­a­tion in her so deep and pure it froze her all over ex­cept her hands that shook in the room’s un­lit air, reach­ing help­less­ly for a screen she could not trans­fix as the tarp fi­nal­ly start­ed gath­er­ing un­der the boy with a ter­ri­ble slow­ness, the wa­ter at his an­kles while he stood there mo­tion­less and straight, not con­cerned that there was noth­ing sol­id be­neath him. 

3:46p to 3:47p in this slow-agony. Elodie’s eyes flashed be­tween Oliv­er and her own shad­ow be­hind the kitchen win­dow, faint­ly wash­ing dish­es at the sink, no more than fif­teen quick steps from the back­yard and the stone path and the fig tree and pool. She screamed at her­self from the dark room in­to her past. First com­mand­ing and will­ing her out­line, then break­ing down to plead hys­ter­i­cal­ly around the wet choke in her throat to do some­thing, to go just please look up and go. Es­pe­cial­ly as the wa­ter got to Oliver’s chest. His arms, mov­ing some­how gen­tly and with­out pan­ic, made echoed splash­ing sounds against the water’s tight sur­face that loud­ly filled the room Elodie was now in but were lost un­der the hot run­ning wa­ter of the kitchen’s stain­less steel sink. Want­i­ng to turn away, es­pe­cial­ly when the wa­ter was at his neck, the tarp a sink­ing cone pulling to­ward the mid­dle of the pool, and yet even though she promised she wouldn’t, Elodie made her­self keep watch­ing through a throb­bing tun­nel vi­sion, hold­ing fast the edges of the com­put­er, need­ing to see and share the weight of the mo­ment, to be there the on­ly way she now could. Oliv­er tilt­ed back in a brief pause of buoy­an­cy, his face turned to­ward the sky and re­veal­ing to the cam­era a calm as if wait­ing for some­thing with in­fi­nite pa­tience, al­ready apart and warm in the af­ter­glow, spread well be­yond the ra­di­ant im­age of him­self at 3:48p, six min­utes and sev­en sec­onds from the video’s start, the on­ly sounds of splash­ing left in Elodie’s mem­o­ry, as the water’s fin­ish found it­self again to show lines of rip­pled sun lift­ing from above. 

In the hol­low of what was left, Elodie could on­ly re­treat, search­ing far­ther back in­to her mind, un­til she was nine­teen again and on a camp­ing trip in Death Val­ley where she ate a Ritz crack­er doused with liq­uid LSD and looked at the night and the many stars spilled across it like salt and felt pro­found­ly for al­most six hours that all space was nev­er emp­ty in the slight­est, but in fact full al­ways of the thing peo­ple at­tempt­ed to de­scribe when they used words like en­er­gy or love or God, and when she found her­self again it wasn’t un­til much lat­er, years hav­ing passed, the house sold and pool filled, and the mem­o­ry came to sug­gest that which was im­pos­si­ble and true, her­self a can­vas stretched in every di­rec­tion at once, every­thing some­how equal­ly im­per­ma­nent be­neath a sky full of light.

Filed under Fiction on October 10th, 2025

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