Rudy and Thorold

Rudy and I were headed to the annual autumn puppet festival — Puppetalooza — in Stratford, Ontario for the weekend. I wasn’t that into puppets, but Rudy said he’d drive and pay for the hotel room, so I went along for company. He had elected to be a puppeteer in this life and if I wanted our friendship to continue, I had to respect that, and to a great degree I did. We’d been roommates in university, and Rudy had never been anything but unique. A brilliant engineering student, his fascination and passion for puppets had already been sparked by then. He began collecting vintage marionettes and conducting little puppet plays for me and a few of our other friends who were tolerant of this behavior. I must admit, Rudy had a talent for puppets. He could really make them come alive.
In any event, we lost touch for a few years and reconnected at a university reunion. I was quite happy to see him. I missed his brand of crazy. He was immersed in puppetry at that point. Indeed, he had been transitioning from manning marionettes in puppet productions aimed at children to working a solo act as a ventriloquist with a puppet, or dummy as they are more commonly known. He had all but mastered the ventriloquism end of it, but was having trouble with the dummy — or ventriloquial figure as he forcefully referred to it. Coordinating the facial expressions of the dummy and snappy jokes proved tricky.
Anyway, a few weeks after we started hanging out again, he convinced me to join him on a little jaunt to Stratford, better known for its Shakespearean productions, and for being the birthplace of Justin Bieber. The weekend would consist of puppet-making workshops and master classes and a gala “parade of puppets” to close out the festivities. “You can join me and observe,” he said, “or do your own thing. Stratford’s pretty cool.” I couldn’t imagine sitting through puppet-making workshops, but Stratford was a charming place, and I was open-minded enough to let things play out as they may.
“I think Thorold needs a rest stop,” Rudy announced about an hour into the trip.
I stared at him as he continued to drive without turning to me.
He was referring to his most recent dummy — propped up in a customized child seat in the back — a cross between the Norse god of thunder, Thor, or at least commercial interpretations of him, and the infamous Harry Reems, the thickly mustachioed star of an ancient pornographic movie, Deep Throat. After a succession of botched attempts — soft foam gnomes, rubber monstrosities, and horny batrachians of latex — Rudy earnestly hoped to show off his ventriloquism skills with this dummy. He had watched Deep Throat online and delighted in the ironies that he thought would be at play. I tried to warn him that not everyone was familiar with Harry Reems and Deep Throat, and that Thorold in his current form could be intimidating or confusing at the very least. But Rudy wouldn’t hear it.
“That’s right,” he side-mouthed, in a rough falsetto I assumed was his current try at a convincing Thorold voice. “I have to drain my snake posthaste, heh heh.”
I turned and caught quick peek of Thorold, staring at me. Not a handsome mug, by any measure. And something else, something discordant or disquieting about this puppet that I could not pinpoint. Maybe it was the eyes — a little offset, or askew, such that in a human would hint at psychosis or perhaps derangement by psychotropic drugs.
Rudy had fashioned him from wood and rubber — the torso and head almost life-sized — and had fixed him with a long blonde wig and a luxuriant dark brown mustache. The eyes were white marbles with blue irises painted on — resulting in an unfortunate proptosis. Rudy had dressed Thorold in a flashy gold lamé outfit. He had also supplied him with a tremendous package — notwithstanding his necessarily flimsy legs, as it’s common knowledge that heavy or well-pronounced legs inhibit a ventriloquist’s maneuvers. But more importantly, packages were seen as taboo among most puppeteers. At least that’s what Rudy explained to me. Most puppets and ventriloquial figures had no genitalia whatsoever, and certainly not impressive packages. So perhaps he was hoping to cut a dash at Puppetalooza with his virile and well-endowed dummy.
So we pulled into a rest station. Rudy lifted Thorold from the backseat and carried him off, yipping. I followed them in the direction of the rest station. A woman wearing coke-bottle glasses and draped in a red plastic raincoat stopped and exchanged a few words with them that resulted in her throwing her head back, flinging up her arms and hastening away.
Whirling with outrage, the woman loped up to me and asked if I knew those men.
Rudy stood near the entranceway of the rest station watching us with a smirk. Thorold waved.
“I do know them,” I admitted.
“The blond one said something very suggestive to me,” she said.
“How’s that?”
“The blond man said something of a lurid nature to me.”
“Lurid, eh?” I glanced over at Rudy, looking very pleased with himself.
“Yes. I’m deeply offended,” she said.
“The blond man is a ventriloquial figure,” I said.
The woman leaned back startled, or appalled, I couldn’t say which. A moment of radiant intensity passed. I could feel my ears burning. Then the woman threw me a hateful glance and stalked off grumbling to herself. Life could be a bastard, agreed.
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